Tahir recently sat down with the Weekly to talk about her success, how she got her start and what's in the future.
Though she now has a large and growing fan base of die-hard "emberlings," she spoke of her humble beginnings, a time even before she was a reader, when she was just a girl who liked telling stories. Tahir, who is Pakistani, grew up in a small town "in the middle of nowhere" California — the Mojave Desert — a town she described as "pretty racist."
"I used to listen to people say these horrible things to my parents and brothers ... and people just, they really made us feel unwelcome at times," she said, adding that as a kid in that reality, it was easy to feel lonely and scared.
Instead of speaking out and being confrontational, in response to the hostile environment, Tahir immersed herself in stories. She found fantasy to be the safest place of all because it served as an escape.
"I didn't necessarily see a young, brown girl," she said, "but I did sort of impose myself into the landscape and pretend that I was travelling with Frodo to destroy the ring, or I was looking for the sword of Shannara or whatever the case may be."
Tahir loved to read and write in her spare time while growing up, but she never thought it could be a career. Instead, her parents encouraged her to consider going to medical school or to become an engineer.
"My parents are South Asian and ... this idea that I would go off and become a writer, they were just like 'Um, no.' I mean, they weren't mean about it, they were just like, 'No, that's not practical, hun,'" she said.
After volunteering in a hospital her senior year of high school, she realized medical school wasn't for her and opted to study communications and journalism in college. It was while working as a journalist for The Washington Post that she got the idea to start writing "An Ember in the Ashes."
One story, in particular, stayed with Tahir. It was about women in Kashmir whose fathers, sons and brothers were taken from them by local military forces and thrown into prisons, sometimes without charges. She was struck by the complete lack of recourse for these women who didn't know what was happening to their families, sometimes belatedly discovering that they'd been taken in the first place.
"(Writing "Ember") was me sort of saying 'Okay, I'm going to write a book in which this does happen, and the world is just as bad as ours, but my character can fight back, and she can get her family member back," she said.
Indeed, Tahir's writing is very much informed by what's happening in the world. She said that while writing "A Torch Against the Night," the Syrian Refugee Crisis was on her mind and had a large impact in the way that she portrayed the lack of dignity afforded to groups of people on the book.
Tahir likened the experience of writing the books to therapy — a way to process the real and horrific narratives in the world and create an alternate, redemptive story in which a young woman of color seeks to save her family member, even in a very broken world. But Tahir didn't intentionally set out to create a part of the canon dedicated to women of color.
"It was actually more that I wanted to write an honest book, a book that reflected the world around me, and the world around me is filled with color and badass women," she said adding that women's strength is natural to them.
"This idea of 'strong female characters' has always bothered me because, well, if you're female, you're strong; it's a part of who you are," she said.
But Tahir takes care to imbue her characters with different kinds of strength. She expressed that it's not always knowing how to fight or shoot a bow. Sometimes strength is determination and loving your family.
Not only did Tahir draw inspiration from current events, she also interviewed "modern-day warriors" to understand the mind of main characters Elias and Helene — characters who attend a brutal, militaristic academy and are forced to live by a ruthless moral code.
"Laia was not a difficult character to write because 17-year-old me was very similar, but Elias was a difficult character to write because he's a 20-year-old warrior, and he's unafraid of anything, and I didn't have experience with that," she said.
Her research included talking to local figures in law enforcement and the military. She said that she talked to a police sergeant about what it means to have a "Plan B and a Plan C and a Plan D"; a local FBI agent who told her about the difficult balance between the personal and the professional; a police officer who fought in the Battle of Fallujah and talked to her about what it feels like to leave the military, miss your comrades and lose people; and a West Point cadet who told her why he wanted to go to West Point.
Tahir said that these interviews helped her to understand what it meant to have the "soul of a warrior," but that they also helped her to see the person — the one with "feelings and loves and hurts" — behind the uniform and the demanding job.
Tahir's decision to write from different characters' perspectives — Elias, Laia and later Helene — comes from her background in journalism. Namely, the idea that every story has more than one perspective and more than one way of being told.
In order to tap into these different perspectives, Tahir did not stop at interviewing people. While writing in different characters' voices, she turned to music and media. She would ask herself 'What does the person sound like?' 'What's the cadence with which he or she speaks?' 'What kind of music reminds me of them?' 'What kind of environment reminds me of them?'
"When I was writing Elias, I was listening to a lot of rock music, and I watched "Apocalypse Now" ... And, when I was writing Laia, I was listening to music that was more angsty and sort of reflected her pain more, and I read a lot of poetry because the way she speaks is a little bit different," she said.
Tahir tackles profound, weighty topics and yet her books are Young Adult fiction, a genre that some take more seriously than others. But Tahir gravitated toward writing Young Adult fantasy fiction because she sees it as a genre where "story is king."
"It's not about fancy literary devices or trying to reach for something that's not there. It's just about story. Good, solid story. You get lost in it. And that, to me, is the best type of storytelling. The old 'let me tell you a yarn' type of story," she said.
Tahir, who has called the Bay Area her home since 2012, said that she loves it and never wants to move.
"I just feel like the creative spirit in the Bay is unmatched. You have all types of creators. You have artists. You have visual artists. You have entrepreneurs. You have designers. There are just so many types of creation happening, and I think it's so inspiring and wonderful," she said.
And so, looking back, what would Tahir tell the girl who lived in the Mojave Desert and found respite in the pages of fantasy books?
"I wouldn't say anything. I would just let her go, and in my head I would say 'you're going to be just fine,' but I'd walk right past her because she needed the lessons that she learned," she said.
"A Torch Against the Night" (Razorbill-Penguin Books) is available at Amazon.com.
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