Rated R for language throughout and some sexuality/nudity. One hour, 55 minutes.
Publication date: Sep. 29, 2017
Review by Peter Canavese
Just in time after the debacle of "The Mummy," Tom Cruise delivers a winningly old-school star performance as Seal, a TWA pilot who supplements his income by smuggling contraband. As the film has it, Seal gets recruited by the CIA, in the form of a handler going by "Schafer" (Domhnall Gleeson). "We're building nations!" Schafer enthuses. "We could use someone like you." Seal's subsequent work as a reconnaissance pilot over Central America (and courier to and from Manuel Noriega) puts him on the radar of the incipient Medellín cartel, so Seal starts running drugs on the side for Pablo Escobar and company.
Gary Spinelli's script gives Liman the stuff for a propulsive narrative, goosed along by a snappy pace and kicky editing. The filmmakers streamline Seal's story considerably, and given his shadowy role in history, it's a story that invites conjecture. Depending on whom you believe, this version of Barry Seal either dumbs down a longtime CIA operator to a skilled hustler or elevates a DEA informant to a CIA operative. Either way, Seal's story is a fascinating one worth investigating, and "Made" will draw mass attention to it. Spinelli's Seal is apolitical, a thrill-seeker primarily motivated by the almighty dollar. As played by Cruise, he's like Maverick gone to seed, a hotshot pilot with a hot wife (Sarah Wright Olsen) who winds up with more cash than either of them knows what to do with.
Cyclically, Seal gets into trouble, gets bailed out by Schafer, then allows Schafer to get him into deeper trouble, like running guns to the Contras or being sent back into the belly of the Medellín cartel beast to obtain photographic evidence that's of political use to U.S. Marine Lt. Colonel Oliver North and, in turn, Ronald Reagan, before the Iran-Contra scandal hit the fan. Meanwhile, the cinematic Seal would fit right in on "Breaking Bad" or "Ozark," as cash overflows from his properties and the local banks in Mena, Arkansas.
The slick surface of "American Made" largely plays like another variation on the rags-to-riches-to-crash-and-burn trajectory of movies like "Scarface" and "Goodfellas," with a healthy helping of flexible history, a la "American Hustle." As such, "American Made" works a treat. Liman, who previously teamed with Cruise on "Edge of Tomorrow," evokes the 1980s without fetishizing them, and his star proves again that he's both a master reactor (much of the comedy plays off of Cruise's facial expressions in absurd situations) and a master proactor, charging into trouble with a grimace or, more often, a wide-as-a-mile grin. He's just the guy to play "the gringo who always delivers."