By Rebecca Wallace
About this blog: I grew up in Menlo Park and have long been involved with both local journalism and local theater. After starting my career as an editorial intern with The Almanac, I was a staff reporter for the Almanac and the San Mateo County Ti...
(More)About this blog: I grew up in Menlo Park and have long been involved with both local journalism and local theater. After starting my career as an editorial intern with The Almanac, I was a staff reporter for the Almanac and the San Mateo County Times, covering local government, cops, health/science and many other beats. In 2005 I made the move to the arts desk at the Palo Alto Weekly. A&E is close to my heart because of my experience in the performing arts. I've been acting and singing in Bay Area theater productions for years, and have played everything from a sassy French boy to a Texas cheerleader. In Ad Libs, I blog about the exhibitions I see, the artists I meet and the intriguing new projects and trends I see in the arts world.
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Everyone in theater knows this old saw: "Bad dress rehearsal, good opening night." Maybe the
[email protected] folks should have worried when the last rehearsal for the Aug. 2 concert of German art songs was fantastic.
After that, things started to fall apart, pianist Wu Han told the audience Tuesday. First, soprano Erin Morley called, croaking that she'd lost her voice. A search was launched for a replacement. Canadian soprano Katherine Whyte knew the repertoire, and she got on a plane.
Then baritone Kelly Markgraf started having trouble with his voice. ...
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