By Rebecca Wallace
About this blog: I grew up in Menlo Park and have long been involved with both local journalism and local theater. After starting my career as an editorial intern with The Almanac, I was a staff reporter for the Almanac and the San Mateo County Ti...
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About this blog: I grew up in Menlo Park and have long been involved with both local journalism and local theater. After starting my career as an editorial intern with The Almanac, I was a staff reporter for the Almanac and the San Mateo County Times, covering local government, cops, health/science and many other beats. In 2005 I made the move to the arts desk at the Palo Alto Weekly. A&E is close to my heart because of my experience in the performing arts. I've been acting and singing in Bay Area theater productions for years, and have played everything from a sassy French boy to a Texas cheerleader. In Ad Libs, I blog about the exhibitions I see, the artists I meet and the intriguing new projects and trends I see in the arts world.
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About four years ago, Edward Burtynsky's titanic and disturbingly beautiful photos made up the most powerful exhibition I've seen at the Cantor Arts Center. Mining and refining leave scars on the Earth, but Burtynsky finds color and light inside.
Burtynsky now has an exhibition focusing on oil up at the Corcoran Gallery of Art in Washington, D.C. (in case you happen to be passing through). Sprawling images of old derricks, ship-breakings and trashed cars are compelling even online.
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Ad Libs.