'Going forward will be much more hybrid'
Real estate software transforms museum collection into a virtual gallery
There's an art to exhibiting paintings, sculptures and a 235-ton piece of steel all under one roof — methods that curators have studied and developed over many centuries, said Susan Dackerman, outgoing director of the Cantor Arts Center at Stanford University. "We have hundreds of years of experience of installing artworks in art museums," Dackerman said. "Personally, I haven't had hundreds of years of experience, but there are traditions and conventions and you learn from those lessons."
But how do you take an entire museum — originally intended to be experienced in person — and put it online during a global health crisis?
For the Cantor Arts Center, Stanford University's home to more than 38,000 works of art, the real estate industry already had part of the answer.
One of the problems the campus museum needed to solve was how to work around restrictions of large gatherings and maintain itself as a resource not just for the local aesthetes but also for the academics who look at the art center as an educational tool.
"We wanted to ensure that we had the means to support the research and teaching mission of the university," Dackerman said.
To do that, the museum invested in new pieces of technology — one of which is called Matterport, a 3D imaging platform that has been perfected for real estate professionals to show off commercial or residential properties online. (Clients of the Sunnyvale-based company include Coldwell Banker and Cushman & Wakefield.)
With Matterport, Cantor Arts Center is able to extract 3D renderings of the museum's space, along with its extensive collection of mid-20th century paintings of Auguste Rodin's bronze sculptures, and upload it to the museum website.
This allows viewers to virtually walk through some of the art center's 130,000-square-foot campus and, with the click of a button, zoom in on each piece of art.
The technology is not without its limitations, however. Dackerman and many other art lovers agree that current digital technology cannot fully replicate the experience of seeing all the true colors and textures of a piece of artwork in person.
"There is nothing better than a personal encounter with art; there's just so much more immediacy and intimacy that way," Dackerman said.
But the tradeoffs still come with benefits. With a large part of the museum now online, Cantor Arts Center is no longer limited to local visitors or researchers but is accessible to anyone around the world.
"It's a really interesting proposition around museums because it means that you can have the experience of going to the museum from your home, which makes us more accessible to a much broader demographic," Dackerman said.
And virtual tours don't have to bear the burden of replacing the in-person experience. Instead, the museum director sees this digital initiative as an opportunity to encourage people to later seek out art in real life.
"Even after the closure is over, even after we're all moving through the world again, I think that we will have learned some really interesting lessons and that our program, going forward, will be much more hybrid," Dackerman said. "It will be a combination of in-person and digital platforms because it really expands our base."
The art center continues to expand its virtual resources. Along with a large library of artist talks, learning guides and tours virtually led by docents, the museum will push out new exhibitions online.
Next year, for example, Cantor Arts Center plans to debut a new exhibition called "When Home Won't Let You Stay," in which contemporary artists confront the issues of migration and global movement — a particularly relevant topic when thinking about the spread of a virus, Dackerman said.
"In the last seven months or so, we've had to figure out a set of protocols for virtual tours," Dackerman said. "I would say we're still very much in the process of experimenting and learning from them."
Scroll down to find out how last year's winners have responded to the pandemic.
Antonio's Nut House
With its cheap drinks, $1 pool games and unpretentious vibe, Antonio's Nut House has been a fixture along California Avenue ever since the late Tony Montooth first opened its doors nearly 47 years ago. It's the only watering hole in the neighborhood where a fake caged gorilla stands guard over mounds of roasted peanuts — and where the shells of these free bar snacks can be tossed on the floor with reckless abandon. The bar temporarily closed in August. No reopening date has been announced.
321 California Ave., Palo Alto; 650-321-2550
2019: Best Nightlife
Bing Concert Hall
Engineered for acoustic perfection, the intimate 842-seat Bing Concert Hall has hosted musicians from all over the world since opening in Stanford University's Arts District in 2013. The performance space is temporarily closed to audiences during the pandemic crisis. Starting in late September, however, Stanford Live rolled out a digital season that includes short films created at Bing Concert Hall, featuring the St. Lawrence String Quartet, pianist Garrick Ohlsson, musician V‚n ¡nh (Vanessa) Vı, the Kronos Quartet and more.
327 Lasuen St., Stanford, 650-724-2464; live.stanford.edu.
2019: Best Place for Live Entertainment
Palo Alto Library
Palo Alto Library has long been recognized as one of the only places where you can study, work or simply scroll your social media feeds for free (no password or library account needed) while also checking out great books, music and movies. Even during the pandemic while the library is closed, patrons can still access Wi-Fi from its parking lot. The library also is offering sidewalk services, virtual events and online resources.
City library locations are listed at cityofpaloalto.org/gov/depts/lib/default.asp.
2019: Best Wi-Fi Hot Spot