Palo Alto Weekly 19th Annual Short Story
The Struggle at Dusk
by R. Calvin Clark
The sunset tore open the sky. Puffy rings of clouds, all aflame,
funneled into the horizon as an immense darkness pressed in relentlessly.
I pulled to the curb and got out of the car. It was twilight and everything was
very still in the Mexican district, as it can be in places where people toil
and are seen to toil, because there is a sort of hush when they stop laboring,
a lull, peaceful or foreboding, depending on what happens when night comes.
I liked the barrio: worn but the fabric was strong, not prettified, not yet,
like so much of the Bay Area.
Across the street a dog barked. He was a big dog and he was agitated.
The bark bordered on frenzy, a chilling, hateful sound and the
only sound to
The dog guarded a small nursery that was now closed. He snarled and jumped
behind an old wooden stake fence; he snarled and jumped at a man who stood
on the deserted
street corner in front of the fence and refused to budge. The man was young.
He was "cool" in a leather aviator's jacket, low riding black
jeans, and sunglasses that masked his face despite the time of day -- and
unafraid of the dog. To prove this, he shouted at the dog, kicking the
fence once to
drive the animal even crazier.
I was happy to get off the street and duck into Eduardo's market: an exotic cubbyhole
of spice and color, exotic to me anyway, a member of the retreating Anglo tribe.
Eduardo greeted me gayly from behind the little counter, as he did all loyal
"Senor Dunbar, a pleasure! Going to Chino's again, eh?"
"You bet. I'm here for my rations."
He was about sixty and portly, but solid, one of those men with hard fat -- to
hit him in the belly might break your hand; then those thick peasant fists would
come at you, connected to a pair of hirsute, leathery logs. Let him get inside
and you'd regret it.
Eduardo stooped beneath the counter where he maintained a small humidor. Rising
on creaky knees, he passed me a brown paper bag filled with contraband, five
Cuban beauties, one of which would be fired up after a robust feed at Chino's.
Eduardo claimed to have family in Mexico that kept him well stocked with life's
necessities. For a respectable markup, he shared the joy.
Our covert dealings were interrupted by a boy of fourteen who shuffled from a
storage room to begin shelving cans.
"Hola, Miguel," I said.
The boy barely acknowledged me. He appeared morose and lethargic, not as I had
remembered him through the years, or even a few weeks before when I had been
Eduardo shrugged. "Pay no attention to his rudeness. He does
not mean it... the young."
The dog still yapped violently; and Eduardo glanced slit-eyed
out the open door at the man on the corner, whispering somberly
animals, the two of them."
Miguel dropped one of the cans and cursed to himself.
"How's life, amigo?" I asked, with phony good cheer. "Getting
by, I hope."
"Okay," he mumbled, trying to ignore me.
Miguel was raised by Eduardo, his grandfather, and they both lived directly above
the tiny store.
I winked at grandpa. "Not easy making the transition from
boy to man."
"Yes, especially today, the way things are with the young.
There are those who live off them and use the darkness in them
I got the impression he wasn't talking about the record industry; and I left
him leaning over the counter studying his massive hands while Miguel silently
The incessant barking was getting on my nerves, so I paused only briefly at the
green grocer stalls next door. Pedro was bringing in produce as he readied to
close for the night.
"Are the Gravensteins in yet?" I inquired.
"Just yesterday, Meester Dunbar. Would you like a sample?"
"No, I'll take half a dozen if they're still out."
Pedro stepped over to a crate of apples and took his time picking me some good
ones. He was in his early fifties, younger than Eduardo but more fragile, slender
and bent with a gaunt face.
"What's with the dog?" I wondered, as he handed me the
His tired eyes spasmed briefly, though the rest of him just slouched
dog is worse these days."
"Because of him?" and I motioned toward the young man,
who had lit a cigarette.
"The dog will quiet down soon. He will get tired, then only
watch with hatred."
"Does the man always stand in that place?"
"Often, yes. He is new here, up from Mexico."
"Why does he stand alone?"
"He will not be alone for long."
The sunset now had dimmed to a murky purple. There was no moon.
As I walked, the street lamps flicked on and I was relieved to
enter the restaurant: old,
comforting, with only a few early patrons and a loyal
table awaiting me in back. I kissed Anna on the cheek, ordered
my pint of Red Hook and watched through the
window as the blinds of night filtered out the charcoal
of another ebbing day. Soon a different world would issue forth,
a place made
habitable by our artificial lights, but with enough cloaking darkness
for those who craved and needed it.
Yet, the twilight would live a little longer, refusing
to expire, like an ordained instant in Time that had snared me
in its physical and moral no man's land.
Finally, the barking stopped and there was a wary, anticipating
silence. For some reason my eyes followed an elderly
woman who crept from the washroom to
her front table. She was the only thing moving across
my static field of vision, where all seemed suspended
on an artist's canvas.
Reaching her table, the woman didn't sit. She only gawked
-- she gawked in horror out the window before crossing
I quickly beat it outside into the soft cool air, and
The brave young man on the corner was being eaten alive.
No more frantic yelping, no more futile assaults, rather
instinctive, pitiless aggression as the big dog
ripped and blood spewed. The snarls were almost pleasurable.
I sprinted to my car and withdrew the .32 I keep in a
pocket under the driver's seat. Then I fired it into
the air. The animal started and glowered at me, smoldering
with cruel triumph, its head lowered and the muzzle drenched,
hackles like thorns.
Under the street lamp, the miserable scene was cast in
a sickly pale monochrome. The beast growled in my direction
before attacking once more, seizing the young
man, or what had been the young man, by the throat, shaking
and brandishing him like a trophy. I heard a hideous
crunch -- I fired again, and the dog fell on
its side with a mousy squeal.
The animal was dead... but at. least whole, whereas its
victim was nearly decapitated, his entire battered torso,
including the shorn leather jacket, sopped in blood.
My eyes roved to the bottom of the wood fence where six
or seven weak stakes had busted as the dog had broken
through. But, in the shadowy light, as I looked
more closely I could see splintered pieces of wood scattered
on the nursery side of the fence, larger chunks laying
a couple of yards within the property.
Half staggering back to my car, I phoned 911.
By now, the victory of the night was complete and only
the jack-o-lantern street lamps illumined the pitch.
Just a handful of onlookers had ventured outside. I questioned
a few but they had seen nothing of course.
Across the street, Pedro the grocer stood by one of his
empty stalls and clutched a baseball bat.
I approached, asking him what he knew. His thin face
was expressionless, stony, and I thought of something
carved long ago in the jungles of the south. He began
"Yes, I saw what happened... el perro, the dog, it breaks
the fence and attacks the man."
"Was he blind, what was he doing?"
"His back was turned.., he smoked a cigarette, he thought
he was safe."
"And you, Pedro?"
"I ran for my bat. I keep it, you know, for things. When
I come out again, you are here with the gun, so there is no
His eyes were guileless. And why shouldn't they have
"Are you sure you saw the dog break the fence?"
"Absolutely. That is what I saw, that is what I saw, absolutely."
Next door would have had the best view; so I walked into Eduardo's market, well
lighted and seeming to offer sanctuary. But Eduardo was
not there. Only the boy, Miguel, stood as if impaled behind the counter, his
round black eyes searching
mine as I entered, searching for what exactly I couldn't
say, still can't -- for a comrade, I suppose.
"Where's your grandfather, Miguel?"
"Upstairs. He isn't well."
"He was well twenty minutes ago."
"His stomach," said the boy, abruptly. "It bothered
him so he went to take something and to lie
"All right," I said. "What happened?"
His eyes, full of doubt, widened and grew in strength though the
doubt remained. He brushed a sticky clump of hair
from his forehead, replying, "I
didn't see it. I was in back."
I leveled one of those adult gazes at him, but he responded
by growing an inch, not easy as he was already posed
like a miniature grenadier; but grow in stature
"Let me speak to Eduardo," I said.
"No, sir, I'm sorry." He came around the counter to stand before me. "My
grandfather needs to rest."
"He might have seen something from the upstairs window."
"How can you be certain of that?"
The boy did not answer directly but tilted his head up at me,
frowning and asserting, "I
am running things now. What
I say is enough."
At that moment a patrol car
rolled to the curb in front
of the little
other. The boy said
think, Mister Dunbar... I think
you are a friend of my grandfather."
Smiling lamely, I replied that I was and then went outside
to talk to the police. In my rundown for them I neglected
to mention the fence, except to remark that
the dog in its frenzy had broken through the decaying
wood. Pedro, the only witness, had said so.
The following day I went back to the market, but only
found Miguel. Eduardo was still feeling poorly, I was
told, and they might have to hire some part-time
help for a while, given Miguel's school hours. My six
pack of Red Hook was on the house, as was a complimentary
Cuban. Then the boy reached across the counter
to shake my hand; his grip was damp but firm.
The investigation the night before had been cursory,
the cops basically satisfied with what I had to say and
with testimony from the only direct witness. The officers
played it dutifully by the numbers and then left it at
Later, I made a few inquiries, discovering that the medical
examiner had concluded the obvious - but with one proviso:
a puncture wound in the victim's left lung
did not conform with a dog attack. More of a knife wound,
he thought, a slim long blade, though he couldn't be
certain since the corpse was so badly mangled.
The victim's name was Jose Chacon, a small time drug
dealer, or perhaps a member of a syndicate, who had recently
arrived from Ensenada to set up shop in the
neighborhood, which heretofore had only known a sporadic
narcotics trade. Apparently his focus had been on kids,
teens and pre-teens, and business was lucrative.
Mexican authorities didn't provide much salient information,
except to report that Chacon had connections to traffickers,
and that he was usually armed with
a switchblade, which he may have deftly used in Ensenada
regarding a dispute over a woman, thus precipitating
his journey to El Norte.
But no knife, no weapon of any kind was found on the
victim's body. A newly minted
detective named Smith had wondered if Chacon might have been involved
in a fight
that preceded the mauling.
Perhaps he had lashed out with his blade, been disarmed
somehow, and gotten the worst
of it himself. The dog assault against an injured man would have
obscured the knife wound. Had
an unknown person kicked in the fence and weakened it enough for
the dog to finally
Smith poked around but nothing
came of it. After all, the initial police report made everything
I waited several months before returning to the barrio. Eduardo was ensconced again behind his counter; both he and Miguel grinned broadly at me when I entered the store. But I detected a sadness in the eyes of the grandfather, the burden of a man who has seen too much of the world, and who knows what can happen in that moment of twilight when opposing forces meet.
The author of "The Struggle at Dusk" knows how to tell a dramatic story. But the power of this story does not depend solely on plot -- I'm impressed by the fine writing, the sharp dialogue and the vivid setting.
Short story writers wanted!
The 31st Annual Palo Alto Weekly Short Story Contest is now accepting entries for Adult, Young Adult (15-17) and Teen (12-14) categories. Send us your short story (2,500 words or less) and entry form by April 13, 2017. First, Second and Third Place prizes awarded in each category.